#anAWWyear - March 1948: Craft

At the end of my last post, I said that the fashion would be continuing this month, and that is because  March 13 1948 was a Special Knitting Issue. 

To start, let us look at the outfit on the cover of this issue, because I'm going to confess that 1940s would not have been my first guess for the decade of this outfit. This could easily pass for several later decades, and I love having the reminder of what really casual outfits could look like. This sweater is the 'Swagger Sport Shirt' by Pierre Balmain, who we are told is "famous in Paris for his casual sports clothes". 

Outfit on the cover
 Australian Women's Weekly, March 13 1948 

It is also a good example of how colour and styling can change one's opinion - the same sweater, styled differently, and in a black and white photograph, has far less impact and I would have passed straight by it. 

Believe it or not, the same sweater as above
Australian Women's Weekly, March 13 1948, p 37

There are instructions for about ten cardigans and sweaters in this issue, several of which are quite standard. I like this checkerboard design, although wouldn't wear it myself.  Of note, the 'New Yorker' twin set, shown here in the yellow top and rust coloured cardigan over it in the (the middle and lowest photos on the right hand side) is designed for the "not-so-slim" and has a bust measurement of 42", which while still terribly inadequate for me, is unusually large for the free patterns that tend to be in vintage magazines. 

Just some of the knit patterns in this issue
Australian Women's Weekly, March 13 1948, p 9

There was no craft I actually tried this month - partially because I've been having a renewed attack on unfinished projects in my stash, and partially because nothing really appealed. There was one crochet project, this unusual purse with a cord decoration, but said decoration was a little too snake like for me (I have a phobia) so I'd never include it in my collection.

Australian Women's Weekly, March 6 1948, p 37

There was also instructions for this embroidered cushion, but I suspect if I made another cushion my husband might complain. We have... quite a few already.

Australian Women's Weekly, March 20 1948, p 36

I've actually been surprised by how many issues don't have any craft projects. If I get the time, I might see if there is a seasonal pattern to when they have them. Or maybe the editors were well aware that their 1948 readers had a limited amount of time!

#anAWWyear - August 1947: Make your own "Vagabond Bag and Beret " and more

Vintage issues of magazines such as the Australian Women's Weekly contain great free instructions and patterns for all kinds of crafts, usually homewares or items of clothing and accessories. Each month I'll be showing a few that are available and also making one or more - preferably ones which can also use up stash, as that is a goal of mine for 2017.  

August 1947 contains only a few craft projects.  For knitters, there is a Knitted Box Coat  which is "made with a firm stitch which gives it tailored lines and makes it suitable for sports wear, for the office, or home". It is written to fit a 34-35" bust. 

Australian Women's Weekly, Aug 9 1947  p51.

There is also a rather neat convertible sewing apron/bag - wear it while you craft, and then it becomes a project bag. The subhead suggests it would make a lovely gift. The fabric is all cut as sized rectangles, and as the different sections - inside pocket, waistband, etc - could easily be made from contrast fabric it might be a useful way to use up some fat quarters and scraps.

Australian Women's Weekly, Aug 23 1947, p53. 

The craft project I chose to make this month was this cute beret and bag set. 

Why yes, my spring wardrobe does need some variety.
Australian Women's Weekly,  Aug 9 1947, p49.

The picture illustrating the instructions wasn't very clear but the vibe was enough to make me want to try.  The copy was full of how fresh and wonderful this pair was, and promised me that the bag would leave me with a hand free.  The instructions said they could be made in felt or fabric, and as I had a length of green felt in the stash I went with that. I am still not sure what makes this a 'Vagabond' bag, as sadly my online search results were made difficult by the bag brand of that name. 

The bag is made from a long rectangle, with pleats added in the short sides. 

My pleat pinned, waiting to be tacked down.

In order to actually get this done (and as the felt wouldn't fray) I decided to hand sew it all so I could do it during times when I was at the park/watching TV/etc and wouldn't need to rely on my increasingly rare time on the sewing machine. 

Once the pleats are in place, the rectangle is folded so the pleated sides are together at the top, and you sew 9 ½ inches up each side. I would recommend slightly less, as Miss 1947 may have had a more slender arm. At that measurement I couldn't easily push the bag all the way to my elbow. It also would restrict the size of what you can put in the bag, as unless I am very much misinterpreting the instructions the only way in and out are through the side holes. 

Sewing up the side seams.

The top is finished with another strip of felt with studs added. I had a minor crisis here, as while attaching one stud the die decided to get so stuck to the stud it would not come off. I had to cut it away and sew together two pieces each with two studs. As a result it looks slightly unbalanced, but I don't mind too much. Much better than it would look with a big silver die base in the centre. 

The finished vagabond bag.

The beret instructions are typical of patterns of this era when they aren't just rectangles - a basic labelled diagram that is not at all in scale. The beret is a high halo style designed to be worn back on the head, and has two felt bows decorating the side. The instructions, once the pieces are cut out, are very simple. It suggested adding a stiffening, but as my felt was solid I decided that applied if one was using other fabric, and ignored it. Perhaps my halo would be crisper if I had not.

The finished beret. 

The inside of the beret's band is finished with petersham ribbon to stop it stetching out. 

Interior view showing petersham ribbon (and a close up of one of the bows)

And in action: 

The bag is designed to hang off your forearm, as shown here.

The beret sits at the back of the head. 

Ready to step out. 

Knitting 1, Crafter 1 - finally, a draw!

For many years now, that title would have read 'Knitting 1, Crafter 0' as knitting was a definite defeat for me.  I learned how to crochet first, you see, and it was the one that came naturally. As I've written before on an LJ craft blog

I love crochet. I'm competent at crochet, which is better than being 'good', as I understand it, because being good at crochet implies that I am reasonably fast and able to accurately complete intermediate to hard projects. Being competent, as I imagine it, includes that but also covers the ability to correct mistakes, to be able to look at the piece and tell what stitches I've been using, to really KNOW what the yarn is doing and how it will react to different stitches.  So learning to knit (again? I did once learn as a child, but not very well and I quickly abandoned the knowledge) has been disheartening because I am so incompetent. I cannot visualise the final product. I don't realise I've made a mistake while the stitches are still on the needle. I am a slave to the pattern and my instruction books. 

I'm not really sure what prompted me to try another learn to knit class.  Probably looking at all these cute knit baby ideas online? Anyway, Morris & Sons was running a competition on their blog to win one of their classes, and while I didn't win it occurred to me that I had plenty of days free and it wasn't stupidly expensive...

All my other learn to knit attempts have been from books or being taught by family, so perhaps it was just the different approach of a stranger. Perhaps it was the basics coming back to me from previous attempts and realising I was better than the 'true' beginners in the class. Maybe it was having the anatomy of the stitch pointed out clearly.  Whatever it was, I got to the end of the class feeling more confident than I have ever been before about knitting.

The sample above, done mostly in the class (I finished off the moss stitch and did the casting off at home) contains garter, stockinette, a 2-2 rib, reverse stockinette, a 1-1 rib, and moss stitch. No added stitches, no dropped stitches. I'm chuffed with how well it went. I don't think knitting will ever replace crochet as my go-to yarn craft, but I have my eye on a few baby projects.  Fingers crossed.